I'm proud of this music video. I worked with awesome producer/director Cara Dattani - we shot and edited this in one weekend, on a very limited budget. One of the (many) great things about Cara is that she thinks big and pushes what is possible creatively. She was looking for a dark, sexy, surreal feel, that reminded me of Jonathan Glazer's Under The Skin. To achieve this, we used green paint as a chroma key. The tricky thing was finding a balance - keeping the viscosity and tactility of the paint whilst introducing the surreal stock imagery.
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Pre-vis test
Things got messy!